Every line above is reproduced from the holding institution’s own catalogue entry, which is linked. Where their title, date or attribution differs from ours, theirs is the one printed here.
| Artist | Master of Guillebert de Mets and Workshop (Flemish, active c. 1410–1445) |
|---|---|
| Date | 1430s |
| Museum | Cleveland Museum of Art |
| Accession | 2011.58 |
| Medium | Ink, tempera and gold on vellum |
| Dimensions | Leaf: 14.1 x 10.1 cm (5 9/16 x 4 in.) |
| Sheet sizes | 8×10 in, 11×14 in, 16×20 in, 18×24 in, 32×48 in |
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View in the galleryChrist hangs against a checkerboard of gold, and the ransom of the whole world is paid on a leaf smaller than a hand. Our Lady, haloed, in gold, sinks at the left, held from behind. The Cleveland Museum of Art gives this leaf to the Master of Guillebert de Mets and his workshop, named for the scribe of a Decameron made for Philip the Good of Burgundy, and singles out his mosaic backgrounds of delicately worked checkered patterns, naming this Crucifixion as one. The museum lists his other marks: prominent heads, small mouths, slender torsos, thin spindly legs, long finely worked fingers. Look at the fingers opened on the wood.
Sources: Cleveland Museum of Art, Leaf from a Book of Hours: The Crucifixion, 2011.58, read 2026-09-24
And it was the third hour: and they crucified him.
Mark 15:25 · Douay-Rheims (Challoner)
Printed on demand. Public-domain masterwork, reproduced from a 6,507 px master of the original. The whole image is printed — never cropped to fit the sheet — so every sheet carries an archival margin, and the dimensions and resolution listed above are the ones you receive.