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The Crucifixion (Leaf from a Book of Hours) — Master of Guillebert de Mets and Workshop
Prints up to 32×48 in

The Crucifixion (Leaf from a Book of Hours)

Master of Guillebert de Mets and Workshop (Flemish, active c. 1410–1445)
Date 1430s
Collection Cleveland Museum of Art
Subject Crucifixion
Season Lent, Holy Week
Master 6,507 px
License CC0
Attribution Cleveland Museum of Art · 2011.58

The original, as its museum records it

Artist Master of Guillebert de Mets (Flemish) and Workshop
Date 1430s
Medium Ink, tempera and gold on vellum
Dimensions Leaf: 14.1 x 10.1 cm (5 9/16 x 4 in.)
Holding Cleveland Museum of Art · 2011.58

Every line above is reproduced from the holding institution’s own catalogue entry, which is linked. Where their title, date or attribution differs from ours, theirs is the one printed here.

The file this print is made from

Source Master of Guillebert de Mets - Leaf from a Book of Hours- The Crucifixion - 2011.58 - Cleveland Museum of Art.tif
Master 6,507 px on the long edge
Rights CC0 — the photograph as well as the painting
At a glance
ArtistMaster of Guillebert de Mets and Workshop (Flemish, active c. 1410–1445)
Date1430s
MuseumCleveland Museum of Art
Accession2011.58
MediumInk, tempera and gold on vellum
DimensionsLeaf: 14.1 x 10.1 cm (5 9/16 x 4 in.)
Sheet sizes8×10 in, 11×14 in, 16×20 in, 18×24 in, 32×48 in

Sizes

sheet 8×10 in · image 6.6×10 in · archival margin · 651 dpi
sheet 11×14 in · image 9.2×14 in · archival margin · 465 dpi
sheet 16×20 in · image 13.2×20 in · archival margin · 325 dpi
sheet 18×24 in · image 15.8×24 in · archival margin · 271 dpi
sheet 32×48 in · image 31.6×48 in · archival margin · 136 dpi

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About this painting

Christ hangs against a checkerboard of gold, and the ransom of the whole world is paid on a leaf smaller than a hand. Our Lady, haloed, in gold, sinks at the left, held from behind. The Cleveland Museum of Art gives this leaf to the Master of Guillebert de Mets and his workshop, named for the scribe of a Decameron made for Philip the Good of Burgundy, and singles out his mosaic backgrounds of delicately worked checkered patterns, naming this Crucifixion as one. The museum lists his other marks: prominent heads, small mouths, slender torsos, thin spindly legs, long finely worked fingers. Look at the fingers opened on the wood.

Sources: Cleveland Museum of Art, Leaf from a Book of Hours: The Crucifixion, 2011.58, read 2026-09-24

And it was the third hour: and they crucified him.

Mark 15:25 · Douay-Rheims (Challoner)

Pray with this every day  ›

Printed on demand. Public-domain masterwork, reproduced from a 6,507 px master of the original. The whole image is printed — never cropped to fit the sheet — so every sheet carries an archival margin, and the dimensions and resolution listed above are the ones you receive.