![The Annunciation with Saint Francis and Saint Louis of Toulouse [four panels] — Cosmè Tura](/store/display/tura_the_annunciation_with_saint_francis_and_saint_louis.jpg)
Every line above is reproduced from the holding institution’s own catalogue entry, which is linked. Where their title, date or attribution differs from ours, theirs is the one printed here.
Four narrow panels, one landscape behind all four; it continues, darker, across the painted frames. Left to right: Francis with a gold cross, the wounds red at hands, feet and ribs; Gabriel with a white lily; the Virgin at her book; a bishop in a white mitre with a curled staff.
The bishop changed names. In its catalogues from 1959 to 1985 the Gallery printed him as Saint Maurelius, Ferrara's patron saint; he is now Louis of Toulouse, the prince who took Franciscan vows days before he became a bishop. That puts a Franciscan at each end of the greeting.
Sources: National Gallery of Art, Washington, artist page 'Cosmè Tura', artworks list with image descriptions; read 2026-09-01. · National Gallery of Art, 'The Virgin Annunciate [middle right panel]', Cosmè Tura, 1952.2.6.c, bibliography · National Gallery of Art, 'The Annunciation with Saint Francis and Saint Louis of Toulouse [four panels]', Cosmè Tura, 1952.2.6.a-d · Smarthistory, 'Simone Martini, Saint Louis of Toulouse' · Wikipedia, 'Maurelius of Voghenza' · Artsy, 'The Annunciation with Saint Francis and Saint Louis of Toulouse [middle left panel]', Cosmè Tura
And the angel being come in, said unto her: Hail, full of grace, the Lord is with thee: blessed art thou among women.
Luke 1:28 · Douay-Rheims (Challoner), from the project’s own corpus at data/bible_drc.js
Printed on demand. Public-domain masterwork, reproduced from a 11,431 px master of the original. The whole image is printed — never cropped to fit the sheet — so every sheet carries an archival margin, and the dimensions and resolution listed above are the ones you receive.