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1889 · oil on canvas · Van Gogh Museum, Amsterdam (Vincent van Gogh Foundation)
For Our Lady of Sorrows · 15 September
Dots per inch: how many pixels of the museum’s file go into each inch of paper. Our floor is 240 for sheets up to 20 inches, 180 up to 36 inches and 120 beyond, because a larger print is seen from further away. We never offer a sheet below the floor, and the number on each size is the one you receive.
Printed to order · the whole painting, never cropped · if it arrives damaged, we replace it
Free shipping, included in the price, to all eight countries we ship to. Dispatched in 2–4 working days — nothing to send back if it arrives damaged.
A printed card goes in the parcel with your message and the work’s museum record. No price is shown anywhere in the parcel. Enter the recipient’s address at checkout.
0 / 240The certificate’s balance is applied at checkout; any remainder is paid there. Check a balance or buy one.
Christmas: order by Monday 7 December for delivery in the United States before Christmas.
All editionsThe Virgin's arms are open over the body, not holding it but offering it, and behind her white veil a band of yellow light lies low in a sky of blue strokes, the mouth of the tomb dark on either side. Van Gogh made the picture at Saint-Rémy in September 1889 from a lithograph of Delacroix's Pietà, and the museum keeps the story in his own words: the print, with other sheets, 'had fallen into some oil and paint and got spoiled. I was sad about it,' and so he painted it. The lithograph survives, stain and all. He kept Delacroix's theme and composition and gave it his own colour, the blue mantle, the red beard, the greens of the dead flesh, in strokes that curve the whole picture round the two figures. The museum calls it a variation rather than a copy. The sorrow is the Virgin's. The colour is his.
Sources: Van Gogh Museum, 'Pietà (after Delacroix)', s0168V1962; read 2026-10-15. · Wikimedia Commons file page; sizes read 2026-10-15.
And taking him down, he wrapped him in fine linen and laid him in a sepulchre that was hewed in stone, wherein never yet any man had been laid.
Luke 23:53 · Douay-Rheims (Challoner)
Every line above is reproduced from the holding institution’s own catalogue entry, which is linked. Where their title, date or attribution differs from ours, theirs is the one printed here.
| Artist | Vincent van Gogh (Dutch, 1853–1890) |
|---|---|
| Date | 1889 |
| Museum | Van Gogh Museum, Amsterdam (Vincent van Gogh Foundation) |
| Accession | s0168V1962 |
| Medium | oil on canvas |
| Dimensions | 73 cm x 60.5 cm |
| Sheet sizes | 8×10 in, 11×14 in, 16×20 in, 18×24 in, 24×36 in, 32×48 in |
| Held by | Van Gogh Museum, Amsterdam (Vincent van Gogh Foundation) · s0168V1962 the museum’s record |
|---|---|
| Source file | Wikimedia Commons · Pietà (naar Delacroix) - s0168V1962 - Van Gogh Museum.jpg |
| Licence | Public domain |
| Master | 5,536 × 6,741 px, the file our printer receives |
| Chain | Taken from Wikimedia Commons on 15 October 2026; held as our print master. |
Printed on demand. Public-domain masterwork, reproduced from a 6,741 px master of the original. The whole image is printed — never cropped to fit the sheet — so every sheet carries an archival margin, and the dimensions and resolution listed above are the ones you receive.