MONSTRANCE
The Four Horsemen of the Apocalypse by Albrecht Dürer, c. 1498, Petit Palais, Musée des Beaux-Arts de la Ville de Paris
The Last Things

The Four Horsemen of the Apocalypse

c. 1498 · Woodcut on paper (gravure sur bois, papier) · Petit Palais, Musée des Beaux-Arts de la Ville de Paris

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About this painting

Four horses come on at a gallop, and nobody on the ground gets clear in time. The Met's curators read Albrecht Dürer's woodcut as a distilled version of the first four seals of Revelation and name the riders left to right: Death on his pale horse, Famine with his scales, War carrying a sword, Plague with bow and crown. Earlier illustrated Bibles, the Met says, made the scene staid; here parallel lines set a middle tone, and against it horses and men overlap on a strong diagonal. An angel flies above them with open wings. At bottom left, the museum notes, the Mouth of Hell opens, ready for victims.

Sources: The Metropolitan Museum of Art, 'Four Horsemen of the Apocalypse, from "The Apocalypse"', Albrecht Dürer, ca. 1497/1498, 40.139.6(5); read 2026-09-24 · The Metropolitan Museum of Art, 'The Four Horsemen, from "The Apocalypse"', Albrecht Dürer, 1498, 19.73.209; read 2026-09-24

And behold a pale horse: and he that sat upon him, his name was Death. And hell followed him. And power was given to him over the four parts of the earth, to kill with sword, with famine and with death and with the beasts of the earth.

Apocalypse 6:8 · Douay-Rheims (Challoner)

Pray with this every day  ›
The Record
Date c. 1498
Collection Petit Palais, Musée des Beaux-Arts de la Ville de Paris
Subject The Last Things
Season Advent
Master 4,838 px
License PD/CC0
Attribution Petit Palais, Musée des Beaux-Arts de la Ville de Paris

The original, as its museum records it

Artist Dürer, Albrecht (Nuremberg, 27–05–1471 - Nuremberg, 05–04–1528), graveur
Date c. 1498
Medium Woodcut on paper (gravure sur bois, papier)
Dimensions Hauteur : 39.2 cm ; Largeur : 27.9 cm
Holding Petit Palais, Musée des Beaux-Arts de la Ville de Paris
Accession not recorded

Every line above is reproduced from the holding institution’s own catalogue entry, which is linked. Where their title, date or attribution differs from ours, theirs is the one printed here.

The file this print is made from

Source L'Apocalypse (Edition latine) Les Quatre Cavaliers de l'Apocalypse (Bartsch 64), GDUT4110.jpg
Master 4,838 px on the long edge
Rights PD/CC0 — the photograph as well as the painting
At a glance
ArtistAlbrecht Dürer (German, 1471–1528)
Datec. 1498
MuseumPetit Palais, Musée des Beaux-Arts de la Ville de Paris
MediumWoodcut on paper (gravure sur bois, papier)
DimensionsHauteur : 39.2 cm ; Largeur : 27.9 cm
Sheet sizes8×10 in, 11×14 in, 16×20 in, 18×24 in
Provenance of the file
Held byPetit Palais, Musée des Beaux-Arts de la Ville de Paris the museum’s record
Source fileWikimedia Commons · L'Apocalypse (Edition latine) Les Quatre Cavaliers de l'Apocalypse (Bartsch 64), GDUT4110.jpg
LicenceCreative Commons Zero, Public Domain Dedication
Master3,495 × 4,838 px, the file our printer receives
ChainTaken from Wikimedia Commons; held as our print master.

The sheets

8×10 in sheet 8×10 in · image 7.2×10 in · archival margin · 484 dpi
11×14 in sheet 11×14 in · image 10.1×14 in · archival margin · 346 dpi
16×20 in sheet 16×20 in · image 14.4×20 in · archival margin · 242 dpi
18×24 in sheet 18×24 in · image 17.3×24 in · archival margin · 202 dpi

Printed on demand. Public-domain masterwork, reproduced from a 4,838 px master of the original. The whole image is printed — never cropped to fit the sheet — so every sheet carries an archival margin, and the dimensions and resolution listed above are the ones you receive.