Drag the print to move it. The painting is shown at true scale; where its shape differs from the sheet the print has a paper border, not drawn here. Prints are sold unframed, and a frame here is only for planning.
The sheet at its true proportions, the rule and the doorway at the same scale. The painting is printed whole; where its shape differs from the sheet, the print has a paper border, drawn here.
The Trinity Altarpiece: The Holy Trinity
c. 1478–1479 · Oil on panel · National Galleries of Scotland, Edinburgh
For Trinity Sunday
Sizes
image 9×18.5 in on a 16×20 in sheet
What is dpi?
Dots per inch: how many pixels of the museum’s file go into each inch of paper. Our floor is 240 for sheets up to 20 inches, 180 up to 36 inches and 120 beyond, because a larger print is seen from further away. We never offer a sheet below the floor, and the number on each size is the one you receive.
Hahnemühle Photo Rag, 308 gsm cotton rag · pigment inks · printed to order · sold unframed
Printed to order · the whole painting, never cropped · if it arrives damaged, we replace it
Shipping included in the price to the eight countries we ship to · dispatched in 2–4 working days · replaced if it arrives damaged, nothing to send back.
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Send as a gift
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Christmas: order by Sunday 13 December for delivery in the United States before Christmas.
Christmas: a gift certificate arrives by email the same day, and they choose the painting.
All editionsAbout this painting
God the Father sits on a gold throne and holds His dead Son against Him, one arm hanging, and the Holy Spirit, as a dove, spreads between them. Dermot Morrin OP reads the image as a Throne of Mercy, named for the lid of the Ark in the Temple, and suggests that the red of the Father's robe is Christ's blood. The Royal Collection Trust records that the throne's gold is real leaf, and an x-ray showing scoring above the Father's head, probably an iconoclast's. Hugo van der Goes set the donor, Edward Bonkil, first provost of Edinburgh's Holy Trinity, kneeling before this vision. The Father's face was left alone.
Sources: National Galleries of Scotland, 'The Trinity Altarpiece by Hugo van der Goes', NG 1772. · Dermot Morrin OP, 'The Holy Trinity, Edinburgh', Dominicans in Scotland. · Angel's organ rendered in actual gold leaf, an archaic technique read as a deliberate break from naturalism to signal unmediated spiritual vision · Royal Collection Trust, 'The Trinity Panels by Hugo van der Goes'. · Leviticus 16:14-15, 16:34, Douay-Rheims. · Royal Collection Trust, 'The Trinity Panels by Hugo van der Goes: Materials and techniques'. · Royal Collection Trust, 'Hugo van der Goes (c. 1440-1482), The Trinity Altarpiece panels', RCIN 403260.