
The sky is the argument. Grünewald darkens it to the colour Luke reports over all the earth at the ninth hour — and he had watched a full eclipse in 1502, so he knew what that light does to flesh. Christ's emaciated frame sags against greenish blue, picked out by no named source. John, the Virgin and the kneeling Magdalene answer in gesture rather than speech. The National Gallery of Art calls the panel his faith translated into pictorial form. Twenty Grünewalds survive; this is the only one in America.
Now there stood by the cross of Jesus, his mother and his mother's sister, Mary of Cleophas, and Mary Magdalen.
John 19:25 · Douay-Rheims (Challoner), from the project’s own corpus at data/bible_drc.js
Printed on demand. Public-domain masterwork, reproduced from a 27,968 px master of the original. The whole image is printed — never cropped to fit the sheet — so every sheet carries an archival margin, and the dimensions and resolution listed above are the ones you receive.