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The Annunciation
about 1450–3 · Egg tempera on wood (probably poplar) · The National Gallery, London
Sizes
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Dots per inch: how many pixels of the museum’s file go into each inch of paper. Our floor is 240 for sheets up to 20 inches, 180 up to 36 inches and 120 beyond, because a larger print is seen from further away. We never offer a sheet below the floor, and the number on each size is the one you receive.
Printed to order · the whole painting, never cropped · if it arrives damaged, we replace it
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All editionsAbout this painting
The hand of God reaches out of a deep blue cloud at the top, and fine gold falls from it toward Our Lady. Lower, at the height of her lap, the dove of the Holy Ghost flies low across the floor to her. Gabriel kneels in the garden outside, his huge wings eyed like a peacock's; Mary sits within, a book open in one hand, the other gathering her blue mantle to her. Between them a vase of white lilies stands on a low wall, and carved in the stone beneath it is a diamond ring with two feathers. The National Gallery, London, calls that ring an emblem used by the Medici and ties it to Piero de' Medici; peacock wings, it adds, were a Medici symbol in this period too, and the work comes from the Medici palace in Florence, where it most probably hung above a door. The Gallery writes that “a golden light emanates from a gap in Mary's pink dress and she bows her head towards it, in acceptance.” In Florence, as in many Italian cities, the feast of 25 March marked the first day of the calendar year. The city began its year at this bowed head, and so did our redemption.
Sources: The National Gallery, London, 'Fra Filippo Lippi, The Annunciation', NG666, collection page, read 2026-10-10. · Luke 1:35, Douay-Rheims (Challoner); check against data/bible_drc.js before shipping
And the angel answering, said to her: The Holy Ghost shall come upon thee and the power of the Most High shall overshadow thee. And therefore also the Holy which shall be born of thee shall be called the Son of God.
Luke 1:35 · Douay-Rheims (Challoner)
The Record
The original, as its museum records it
Every line above is reproduced from the holding institution’s own catalogue entry, which is linked. Where their title, date or attribution differs from ours, theirs is the one printed here.
The file this print is made from
| Artist | Fra Filippo Lippi (Italian, about 1406–1469) |
|---|---|
| Date | about 1450–3 |
| Museum | The National Gallery, London |
| Accession | NG666 |
| Medium | Egg tempera on wood (probably poplar) |
| Dimensions | 68.6 × 152.7 cm |
| Sheet sizes | 16×32 in, 20×40 in, 30×60 in |
| Held by | The National Gallery, London · NG666 the museum’s record |
|---|---|
| Source file | Wikimedia Commons · Fra Filippo Lippi.jpg |
| Licence | Public domain |
| Master | 7,689 × 3,474 px, the file our printer receives |
| Chain | Taken from Wikimedia Commons; held as our print master. |
The sheets
Printed on demand. Public-domain masterwork, reproduced from a 7,689 px master of the original. The whole image is printed — never cropped to fit the sheet — so every sheet carries an archival margin, and the dimensions and resolution listed above are the ones you receive.