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c. 1565 · oil on canvas · State Hermitage Museum, Saint Petersburg
Dots per inch: how many pixels of the museum’s file go into each inch of paper. Our floor is 240 for sheets up to 20 inches, 180 up to 36 inches and 120 beyond, because a larger print is seen from further away. We never offer a sheet below the floor, and the number on each size is the one you receive.
Printed to order · the whole painting, never cropped · if it arrives damaged, we replace it
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All editionsChrist looks back at us from under the beam, the crown of thorns pressed into His hair, a cord at His throat, one hand raised flat against the wood. Behind Him an old man with a white beard bends to the same cross: Simon of Cyrene, of whom Saint Luke writes, “they laid the cross on him to carry after Jesus” (Luke 23:26). The Museo del Prado, which owns Titian's other version, says this copy by Titian's own hand is housed in the State Hermitage Museum, Saint Petersburg, and that it was on the evidence of this canvas that Carlo Ridolfi, in 1646, named Simon as a portrait of the Venetian mosaicist Francesco Zuccato. A ledge runs across the foot of the canvas, with the number 1048 painted at its corner. Of the twin in Madrid the Prado singles out “Christ's tearful gaze, directed squarely at the viewer as a plea to join Him.” The same eyes are on us here.
Sources: Museo Nacional del Prado, 'Christ Carrying the Cross', Titian, P000438, read 2026-10-10. · Luke 23:26, Douay-Rheims (Challoner); check verbatim against data/bible_drc.js before shipping · Wikimedia Commons file page, source {{Hermitage_Torrent}}, read 2026-10-10.
And as they led him away, they laid hold of one Simon of Cyrene, coming from the country; and they laid the cross on him to carry after Jesus.
Luke 23:26 · Douay-Rheims (Challoner)
Every line above is reproduced from the holding institution’s own catalogue entry, which is linked. Where their title, date or attribution differs from ours, theirs is the one printed here.
| Artist | Titian (Italian, about 1488–1576) |
|---|---|
| Date | c. 1565 |
| Museum | State Hermitage Museum, Saint Petersburg |
| Accession | GE 1048 (number painted on the canvas, lower right; not read from the museum) |
| Medium | oil on canvas |
| Dimensions | 89.5 × 77 cm |
| Sheet sizes | 16×20 in, 18×24 in, 24×36 in, 32×48 in, 40×60 in |
| Held by | State Hermitage Museum, Saint Petersburg · GE 1048 (number painted on the canvas, lower right; not read from the museum) the museum’s record |
|---|---|
| Source file | Wikimedia Commons · Titian (Tiziano Vecellio) - Carring of the Cross.jpg |
| Licence | Public domain |
| Master | 4,752 × 5,568 px, the file our printer receives |
| Chain | Taken from Wikimedia Commons; held as our print master. |
Printed on demand. Public-domain masterwork, reproduced from a 5,568 px master of the original. The whole image is printed — never cropped to fit the sheet — so every sheet carries an archival margin, and the dimensions and resolution listed above are the ones you receive.